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Pianist Emiliano Messiez signs with Aliud Records

We’re proud to announce the signing of pianist/composer Emiliano Messiez to Aliud Records. Born in Buenos Aires, Argentina and currently based in New York City, Emiliano is one of the most in-demand tango pianists in the US. With a versatile and unique style, he is equally adept in classical , jazz, tango, rock and Latin music.

Aliud Records director, Jos Boerland stated “Signing Emiliano fits perfectly with the labels expansion into the jazz and world music markets. With Emiliano on the roster we’re looking forward to collaborating on a number of projects over the next few years. Our focus is on building a solid relationship with artists that can work across genres and Emiliano fits this bill.”

The first album under this new contract will be released this coming autumn and will feature the debut album of a new tango trio featuring three of today’s best known proponents of the style, Pablo Agri, Horacio Romo and Emiliano Messiez. Titled “Ahora”, this trio album will feature a format that is somewhat unconventional in the tango world. The most famous setting for tango music is of course the “Orquestas Típicas” often including over a dozen performers however, smaller formats featuring four to six players are also popular. The typical trio format found in tango music consists of piano, bandoneon and double bass. Speaking about the line-up of this trio, pianist Emiliano Messiez said “It’s not that common to find a trio setting with piano, bandoneon and violin. When we first started to talk about this project we were worried that the bass sound would be missing, however once we started playing we realized that this is not really an issue.”

The album contains largely original compositions, written by each of the trio’s members. Pablo Agri explained further. “We each contributed two new compositions on the album, Horacio’s solo piece is a new composition and the rest of the material we recorded are arrangements of well-known pieces.” For Horacio, Pablo and Emiliano, the tango tradition is very important and the music on this album definitely reflects this. A quick read of the musicians’ biographies will show that all three have a long and distinguished history playing traditional tango music. However, this was not the idea behind this trio. Horacio Romo continued, “We didn’t want to be a ‘traditional’ trio just playing traditional tangos. We thought of this project as something different but at the same time we wanted to give due attention to the tradition. We decided that we would play original music – our music – creating a new sound, new music and a new trio”.

Ahora will be available on CD and be available for streaming and download in both stereo and immersive formats. More information and release dates will be announced in the coming weeks.

Rob Nijboer Guitar

The love of nature and Sufi poetry are the threads running through the production of this CD. I’ve been looking for a way to connect these two themes to music for a long time.
At the age of thirteen, my first guitar teacher, Leo van Rutte, introduced me to the music of the composer Agustin Barrios. I found his music to be mesmerizingly beautiful and I was so inspired by this composer that at the time I was determined to devote my life to the classical guitar. Barrios was not only inspired by Western European romanticists, but also by indigenous music, nature, and religion. His composition Una Limosna por el Amor de Dios (An Alm for the Love of God) is a clear example of this.

In Sufism, the rose represents ultimate beauty and refers to opening the heart to the “One” or “Essence”. The text below is a stanza from one of Rumi’s many poems:

 

 

“What was said to the Rose
that made it open,
was said to me
here in my chest”.

In this regard, The Rose in the Garden by Carlo Domeniconi is of special significance to me. It is my hope that the music on this CD will bring some comfort, stillness, and joy in our turbulent world today.

Rob Nijboer studied guitar with Willem van Lier at the Conservatory of Groningen.
In 1993, he obtained his degree as a teaching and performing artist, as well as a grant that allowed him to continue his studies with John Mills in London. Since then, he has participated in master classes with John Williams, Roberto Aussel, and Pavel Steidl.

5th International Clarinet Competition Ghent!

The original idea for this fifth clarinet competition was that it would be part of the “Van Eyck project 2020 – 2021”. Everyone knows why this has been delayed by a year. For this competition, three composers were asked to write a new work inspired by the characteristic painting by Jan Van Eyck, “Adoration of the Mystic Lamb”. The composers Alain Crepin (Lam Gods Impressions), Johan Duijck (L’Homme désarmé) and Dirk Brossé (The Secret of the Mystic Lamb) have succeeded in this in a very special way. The International Clarinet Competition Ghent has now been organized for the fifth time. It has now grown into a special and highly appreciated competition that, due to its great and quickly built up success, has attracted registrations from more than 200 candidates from 5 continents. Of these, 65 clarinetists were selected to participate. On this album you can listen to the three finalists and enjoy their exceptional playing. Accompanied by the Flanders Symphony Orchestra, the Zemlinsky Quartet, Johan Duijck (piano) and soprano Franches Dhont, they will take you into the atmosphere of the competition!

The first three price winners Arthur Stockel (1st prize), Ángel Martín (2nd prize) and Szymon Emil Parulski (3rd prize) gave the best they have. Accompanied by the Flanders Symphony Orchestra conducted by Dirk Brossé you can listen to the finals on this disc in stereo and Auro 3D Immersive Sound.

CD 1

Arthur Stockel
1. The Secret of the Mystic Lamb – Dirk Brossé 13:34

Arthur Stockel
Concerto no. 2 – Carl Maria von Weber
2. Allegro 08:23
3. Adagio ma non troppo 07:08
4. Rondo allegretto 06:19

Szymon Emil Parulski
Concerto no. 1 – Carl Maria von Weber
5. Allegro moderato 07:59
6. Adagio ma non troppo 06:01
7. Rondo allegretto 06:03

CD 2

Angel Martin Mora
1. L’Homme Désarmé – Johan Duijck 10:57

Angel Martin Mora
Clarinet quintet K581 in A major – Wolfgang Amadeus Mozart
2. Allegro 06:28
3. Larghetto 05:48
4. Menuetto – Trio I – Trio II 05:33
5. Allegretto con variazioni 08:40

Minkyung Chu
Clarinet Quintet in b-minor op. 115 – Johannes Brahms
6. Allegro 09:52
7. Adagio 10:50
8. Andantino 04:36
9. Con Moto 08:41

Gervasio Valli Tarragona
10. Lam Gods Impressions – Alain Crepin 07:57

Noord Nederlands Orkest

The North Netherlands Symphony Orchestra (NNO) is a leading, forward-thinking symphony orchestra based in Groningen. The orchestra performs at the highest level both exciting new programs, as well as traditional symphonic repertoire. We believe that nothing surpasses a live classical music concert, with the contact that is made between the orchestra and its audience.

The NNO was founded in 1862, making it the oldest professional symphonic orchestra in The Netherlands. The NNO offers vibrant symphonic music to the three Northern provinces, with roughly 120 concerts per season in concert halls, the open air, during festivals and at schools. In addition, the orchestra regularly performs at theatres elsewhere in the country, including The Concertgebouw in Amsterdam, TivoliVredenburg in Utrecht and theatre De Doelen in Rotterdam.

The orchestra enjoys introducing newcomers to symphonic music, with the educational program Pieter Roelf Youth concerts, free lunch concerts as well as free outdoor concerts. The NNO can also be heard on the radio frequently. A close collaboration with various institutes ensures cross-pollination of the arts. The NNO works with the Prins Claus academy of music as well as music academies in Amsterdam and The Hague.

Antony Hermus is at present the Principal Guest Conductor. Michel Tabachnik is fulfilling the position of Conductor Emeritus.

The NNO has been privileged to work with leading conductors such as David Porcelijn, Viktor Liberman, Jean Fournet, Han-Na Chang, Stefan Vladar, Alexander Verdernikov and Susanna Mälkki, and international soloists including Diana Damrau, Piotr Beczala, Eva-Maria Westbroek, Vadim Repin, Louis Lortie, Shlomo Mintz and Alexander Gravylyuk.

The NNO regularly features contemporary composers: Terry Riley, Arvo Pärt, Philip Glass, Laurie Anderson and Steve Vai have all performed their music in Groningen.

The Northern Consort

In 2002, Vincent van Ballegooijen (oboe) and Hanneke Wieringa (violin) began giving themed concerts on a small stage in Groningen. For many years, together with countless colleagues – all playing on historic instruments – they have presented, every month, music from the early 17th to the early 19th centuries. The concerts have always been combined with a story, a dance, images or poetry. The Northern Consort is still performing in this way, twenty years on – although the original small stage has grown to include a wide variety of performance spaces – and they have created a stable group of colleagues around them. Constant threads across the decades have been their love of the music itself and of playing together, and the thematic approach that renders their concerts refreshing and accessible. The last few years have seen them perform in schools, for refugees and the homeless, in care homes for the aged, and at healthcare locations.

 

Arjan Jongsma

Arjan Jongsma (1995) has been performing at various concert venues since the age of 12. During his career to date he has performed at the International Chamber Music Festival Schiermonnikoog, Festival Wonderfeel ’s-Graveland, Bach Festival Dordrecht and the International Chamber Music Festival Utrecht. Furthermore he has performed as a soloist with orchestras including the Residentie Orchestra, Noordpool Orchestra, Philips Symphony Orchestra, Dutch Theater Orchestra, Youth Orchestra of the Netherlands and the Haydn Youth String Orchestra. In addition, as a freelance orchestral musician, Arjan has substituted with the Royal Concertgebouw Orchestra (timpani), RCO Brass (timpani), Ballet Orchestra (percussion) and various other orchestras and is associated as a timpanist with the Nieuwe Philharmonie Utrecht.

During his studies he has won many awards including 1st price during the National Finals of the Prinses Christina Concours in The Hague, the KPMG Pressprize, the Rubens Kwartet Prize, the Accelerando Classic Award and the jury and audience prize at the Haydn Music Festival 2007 in Groningen. Arjan is a member of the Colori Ensemble and with this ensemble he could be heard on the Dutch radio and seen on the Dutch television show ‘Vrije Geluiden’. The Colori Ensemble has been performing concerts throughout the Netherlands including venues like the Recital Hall and Mirror Hall of the Concertgebouw. Arjan is a teacher at the Percussion Friends-Sweelinck Academy at the Conservatorium van Amsterdam. In 2017, 2018, 2019 and 2020 (online) he gave lessons and recitals during the International Marimba Summer Camp of Theodor Milkov in Greece and was teaching during the Percussion Friends Chamber Music Academy in 2017, 2018 en 2020 (online).

Arjan plays a Yamaha YM-5100 marimba, which has been made possible by the Prince Bernhard Culture Fund and Stichting Eigen Muziekinstrument. He obtained his Bachelor’s and Master’s degree, with specialization marimba and timpani, at the Conservatorium van Amsterdam. Arjan Jongsma is a Yamaha Artist.