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Announcing Aliud Label Services

In January this year, Aliud Records launched Aliud Label Services, a new division dedicated to providing comprehensive support to independent artists, ensembles, and labels within the classical music industry.

This initiative leverages Aliud’s extensive experience in high-resolution audio production, immersive sound technologies, and digital distribution to assist others in achieving their artistic and commercial goals.

Aliud Label Services offers a range of specialized assistance:

1. Immersive Audio Mixing: Our engineers specialize in creating immersive audio mixes in formats like Dolby Atmos and Auro-3D. We can map stereo or 5.1 surround sound recordings into immersive 3D soundscapes or create masters from scratch.

2. High-Resolution Recording: We offer on-location recording services, capturing performances with exceptional clarity using state-of-the-art digital and analog technologies.

3. Digital Distribution: Our team manages digital distribution to major online stores and streaming platforms, optimizing metadata, artwork, lyrics, and other assets for consistent product listing.

4. Mastering: We provide mastering services for various formats, including stereo, surround sound, and immersive audio, ensuring optimal sound quality across different playback systems.

5. Video Production: We offer comprehensive video production services, from concept development to final delivery. Our experienced team can create high-quality music videos, live performance recordings, promotional videos, and behind-the-scenes content that captures the essence of your music and enhances your brand.

6. Physical Product Manufacturing: Aliud Label Services assists with the production of physical media, including CDs, SACDs, and vinyl records, managing the entire process from manufacturing to packaging.

7. Artwork and Design: Our design team creates album artwork, liner notes, and promotional materials that align with the artist’s vision and industry standards.

8. Marketing and Promotion: We offer marketing strategies tailored to classical music, including social media management, press releases, and targeted advertising campaigns.

9. Royalty Administration: Our services include tracking and distributing royalties from various sources, ensuring transparent and timely payments to rights holders.

This launch formalizes services that Aliud Records has informally provided to select partners over the years. With the increasing complexity of audio production and distribution in the digital age, we recognized a need for specialized support tailored to the unique challenges faced by classical musicians and independent labels.

Aliud Label Services is committed to providing transparent, reliable, and artist-centric solutions. We aim to empower our clients to focus on their creative work while we handle the technical and logistical aspects of production and distribution.

In the coming months, we will be rolling out additional services designed to further support our clients. We encourage interested parties to visit the Aliud Records website for more information and updates on our expanding range of services.

What is Immersive Audio and why should I care?

Welcome to our video showcasing 15 years of immersive audio at Aliud Records! We recommend listening to this video with headphones, as the audio is a binaural master, providing the best immersive experience.

In this video, we explain what “immersive sound” is and provide examples from our extensive catalogue. Here’s what you can expect:

What is Audio Sound?

Immersive sound, also known as 3D audio or spatial audio, creates a three-dimensional sound field that envelops the listener. It goes beyond traditional stereo or surround sound setups, making the audio experience more engaging and life like.

Our Journey with Immersive Audio
• We’ve been experimenting with 3D sound since 2008.
• Immersive audio technologies have evolved, including formats like Auro 3D and Dolby Atmos.

Key Features of Immersive Audio
• Sound comes not just from around you, but also from above, creating a better spatial image.
• It uses advanced audio processing and spatialization techniques to make sounds feel like they’re coming from specific directions and distances.

Examples from Our Catalogue

Throughout the video, we showcase various recordings from our catalogue that demonstrate the power and versatility of immersive audio. These examples highlight how this technology enhances the listening experience across different musical genres and styles.

Why Immersive Audio Matters

• It creates a more realistic and engaging auditory experience for listeners.
• For musicians and producers, it opens up new creative possibilities in music production and distribution.

We hope this video helps you understand the exciting world of immersive audio and showcases why we at Aliud Records are passionate about this technology. Remember to use headphones for the full binaural experience!

Aliud Records to Record International Clarinet Competition Ghent 2024

We are proud to announce our sponsorship of the upcoming International Clarinet Competition Ghent, one of the most celebrated events in the world of clarinet performance. This prestigious competition, held in the historic city of Ghent, Belgium, continues to attract some of the finest clarinetists from across the globe. As part of our partnership, Aliud Records will record the performances throughout the competition and release a special double CD featuring the winners.

The double CD will not only showcase the exceptional talent of this year’s winners but will also include a special recording of Mozart’s Clarinet Quintet, performed by the world-renowned clarinetist Sabine Meyer. This combination of emerging talent and established artistry underscores the competition’s dedication to excellence in clarinet performance and Aliud Records’ commitment to preserving these remarkable moments for classical music enthusiasts worldwide.

This is not Aliud Records’ first collaboration with the International Clarinet Competition Ghent. In 2022, we partnered with the competition to record its fifth edition, which featured breathtaking performances by finalists Angel Martin Mora, Arthur Stockel, and Szymon Parulski. Accompanied by the Flanders Symphony Orchestra and other accomplished musicians, their artistry was captured in a live recording now available as a double album. This release has been celebrated for its ability to convey the energy and emotion of the competition while showcasing works by composers such as Alain Crepin, Johan Duijck, and Dirk Brossé.

View The Video of the 2022 Edition of the Festival

Our involvement with the International Clarinet Competition Ghent is deeply connected to our longstanding relationship with Eddy Vanoosthuyse, the competition’s president of the jury. Eddy is an internationally acclaimed clarinetist with an impressive career that spans decades. He has performed with leading orchestras around the world and collaborated with renowned composers such as John Corigliano, Olivier Messiaen, and Dirk Brossé.

Eddy also has a rich history with Aliud Records. Over the years, we have worked closely together to produce numerous albums that highlight his extraordinary artistry. These recordings have become benchmarks in clarinet performance and have been aclaimed by both listeners and critics alike. His leadership at the International Clarinet Competition Ghent reflects his commitment to nurturing future generations of clarinetists while maintaining the highest artistic standards.

Approaching this year’s competition, we are excited about capturing performances that will undoubtedly inspire listeners for years to come. The upcoming double CD release will provide a unique opportunity to celebrate both emerging talent and timeless repertoire, further solidifying the International Clarinet Competition Ghent as a cornerstone event in classical music.

Stay tuned for updates on this exciting collaboration and mark your calendars for what promises to be an unforgettable celebration of clarinet artistry! For more information about past recordings or our upcoming releases feel free to explore our catalogue here opn our website or on all the major platforms including Native DSD where you can purchases our releases in the highest resolutions and Immersive Formats.

More Information on the competition can be found at their website.

The Evolution of Immersive Sound with Wilfried Van Baelen

In an exclusive two-part interview series, Aliud Records founder Jos Boerland sits down with Wilfried Van Baelen, CEO of Galaxy Studios and inventor of the Auro 3D format, to discuss the evolution of immersive sound in the classical music industry. This conversation, which took place at the renowned Galaxy Studios in Belgium in late 2023, offers a unique insight into the world of 3D audio and its impact on music production and listening experiences.

Part 1: The Genesis of Immersive Sound

In the first segment of this enlightening discussion, Jos and Wilfried delve into the origins of Auro 3D and its significance in the world of audio technology.

Key Topics:

– The conception and development of Auro 3D in 2005
– Auro 3D’s official introduction at the AES Convention 2006
– The technical advantages of Auro 3D over other immersive formats
– Aliud Records’ early adoption of Auro 3D technology
– The importance of vertical sound layers in creating a truly immersive experience

Highlight Quote:
“Auro 3D isn’t just about surrounding the listener with sound; it’s about creating a natural, three-dimensional audio sphere that mirrors real-life listening experiences,” explains Wilfried Van Baelen.

Part 2: Aliud Records’ 15-Year Journey with Immersive Sound

The second part of the interview focuses on Aliud Records’ extensive experience with immersive sound formats and their commitment to pushing the boundaries of audio quality in classical music recordings.

Key Topics:

– Aliud Records’ portfolio of over 100 recordings in both Auro 3D and Dolby Atmos
– The challenges and rewards of producing classical music in immersive formats
– Comparisons between Auro 3D and Dolby Atmos in terms of sound quality and listener experience
– The future of immersive sound in the classical music industry
– Notable Aliud Records releases that showcase the power of 3D audio

Highlight Quote:
“Our goal at Aliud Records has always been to offer listeners the most authentic and engaging audio experience possible. Immersive sound formats like Auro 3D allow us to bring the concert hall into people’s homes,” says Jos Boerland.

About the Interviewees

Jos Boerland is the founder of Aliud Records established in 2005. With a background in music and recording technology, Jos has been at the forefront of adopting innovative audio formats to enhance the listening experience for classical music enthusiasts.

Wilfried Van Baelen is the CEO and founder of Galaxy Studios, as well as the inventor of the Auro 3D format. His work in audio technology has revolutionized the way we experience sound, particularly in the realm of immersive audio.

The Auro 3D Concept

Auro 3D is an immersive sound format that adds a height layer to the traditional surround sound setup. This creates a three-dimensional sound field that more closely resembles natural hearing. The format uses a unique speaker layout and channel configuration to achieve this effect.

Key features of Auro 3D include:

– A “Voice of God” channel for overhead sounds
– Compatibility with existing 5.1 surround sound systems
– Scalability for various listening environments, from home theaters to commercial cinemas

Aliud Records: Pioneering Immersive Sound in Classical Music

Aliud Records has been at the forefront of adopting immersive sound technologies in the classical music genre. Some notable aspects of their work include:

– Producing over 100 recordings in both Auro 3D and Dolby Atmos formats
– Consistently releasing new albums that showcase the capabilities of 3D audio
– Collaborating with renowned orchestras and musicians to create immersive classical music experiences

The Future of Immersive Sound in Classical Music

As the interview concludes, Jos and Wilfried share their thoughts on the future of immersive sound in the classical music industry. They discuss:

– The potential for new composition techniques that take advantage of 3D audio capabilities
– The role of streaming platforms in making immersive audio more accessible to listeners
– The ongoing development of home audio systems that can fully realize the potential of formats like Auro 3D

Conclusion

This two-part interview series offers a fascinating glimpse into the world of immersive sound and its impact on classical music recording and listening. As pioneers in this field, Jos Boerland and Wilfried Van Baelen provide valuable insights into the technical and artistic aspects of 3D audio, as well as its potential to revolutionize the way we experience music.

We hope you enjoy these enlightening video interviews, where you’ll have the opportunity to hear directly from these industry leaders about the past, present, and future of immersive sound in classical music.

Aliud Highlighted in Merging Technologies Use Case

We are thrilled to share that Merging Technologies, our trusted partner in audio equipment, has featured Aliud Records in their latest use case article. The piece, focusing on our CEO Jos Boerland, showcases how our partnership with Merging has been instrumental in shaping Aliud Records’ innovative approach to audio recording.

The article, available on Merging Technologies’ website, delves into our use of Merging’s state-of-the-art equipment, including the Horus Networked Converters and Pyramix Digital Audio Workstation. These tools have been crucial in our pursuit of the highest audio quality, particularly in our work with 3D Audio and high-resolution formats like DSD and DXD.

As pioneers in immersive audio since 2008, we at Aliud Records are proud to use Merging’s cutting-edge technology to push the boundaries of what’s possible in classical music recording. Our commitment to delivering exceptional listening experiences aligns perfectly with Merging’s dedication to audio excellence.

We invite our readers to explore the full article on Merging Technologies’ website to learn more about how we’re using their equipment to create unparalleled recordings. This feature not only highlights our technical expertise but also underscores the importance of choosing the right tools in the pursuit of audio perfection.

We extend our heartfelt gratitude to Merging Technologies for this recognition and for their continued support in our mission to provide listeners with the most immersive and high-quality audio experiences possible.

Read the full article here.

Romo-Agri-Messiez Tango Trio Nominated for Latin Grammy.

We’re thrilled to announce that the debut album from the Romo-Agri-Messiez Tango Trio has been nominated for best Tango Album of the year for the 2023 Latin Grammys.

Late last year we released “Ahora” featuring three of today’s best-known proponents of the Tango tradition, Pablo Agri, Horacio Romo and Emiliano Messiez. Today we received the News that this album has been nominated for “Best Tango Album” of the year at the coming edition of the Latin Grammys. Our congratulations to Emiliano, Pablo and Horacio, Luis Bacquã and the whole team involved with the production and release of this great album.

This recording presents a format that is somewhat unconventional in the tango world. The most famous setting for tango music is, of course, the “Orquestas Típicas” often including over a dozen performers however, smaller formats featuring four to six players are also popular. The typical trio format found in tango music consists of piano, bandoneon and double bass. Speaking about the line-up of this trio, pianist Emiliano Messiez said “It’s not that common to find a trio setting with piano, bandoneon and violin. When we first started to talk about this project, we were worried that the bass sound would be missing, however once we started playing, we realized that this is not really an issue.”

The album contains largely original compositions, written by each of the trio’s members. Pablo Agri explained further. “We each contributed two new compositions on the album, Horacio’s solo piece is a new composition and the rest of the material we recorded are arrangements of well-known pieces.” For Horacio, Pablo and Emiliano, the tango tradition is very important and the music on this album definitely reflects this. A quick read of the musicians’ biographies will show that all three have a long and distinguished history playing traditional tango music. However, this was not the idea behind this trio. Horacio Romo continued, “We didn’t want to be a ‘traditional’ trio just playing traditional tangos. We thought of this project as something different but at the same time we wanted to give due attention to the tradition. We decided that we would play original music – our music – creating a new sound, new music and a new trio”

That said, you will find two of the most traditional tangos of all time included on the album, both wrapped in new arrangements. Pablo brought in a new arrangement of “Por Una Cabeza” and “El Choclo”, one of the most famous tangos ever composed arranged by tango legend, Julian Plaza. Emiliano explained “We all like this song but we particularly love this arrangement, Horacio played in Julian’s orchestra many years, so he knows it very well.”

Pianist Emiliano Messiez, when speaking about how this project came about explained “When we decided to put this trio together, I had already been playing together with Horacio in the show “Forever Tango”. He also played with my own orchestra Tipica Messiez. We’d often play together as a duo, but he often suggested we ask Pablo and put together a trio. So, I guess it was actually his idea.” Prior to this, Emiliano had not met Pablo but coincidently he did know his father, Antonio. Antonio Agri was a neighbour of Emiliano’s family during his youth in Buenos Aires. A violinist himself, Antonio was very well known in the scene due mainly to his many years playing with Astor Piazzolla. “Antonio was our neighbour, in fact as a child I even took violin lessons from him.” explained Emiliano. He went on to say, “To be honest, I found the violin far too difficult and that’s when I decided to switch to piano. As a beautiful, and unforgettable gesture, Antonio gifted our family one of his violins, I have the instrument with me here in New York. Pablo got to see this violin, his Dad’s violin, 30 years later when we formally met.”

 

 

As mentioned above, the idea to found this trio stemmed from Horacio and Emiliano some time ago yet, the first time the three actually played together was in the summer of 2021 when the trio performed at the Philadelphia Piazzolla Festival. According to Meredith Klein, the Director of the Festival and the Philadelphia Argentine Tango School, this performance was an unforgettable experience for everyone who was there.

Fast forward twelve months and an opportunity developed to record the trio. Recording engineer Luis Bacqué from Bacqué Recording Studios in New Jersey had become aware of the trio and offered to produce this album. With this in place, Emiliano travelled back to Buenos Aires to work with Pablo and Horacio to prepare material for the album. In June 2022, almost exactly one year to the day of the trio’s first-ever performance, Pablo, Horacio and Emiliano entered the studio. The results are presented here on this Album.

 

ABOUT THE PLAYERS

PABLO AGRI
Grammy Award winning violinist, Pablo Agri brings a wealth of experience and recognition to Romo-Agri-Messiez Tango Trio. He comes to tango music naturally as the son of Antonio Agri, the violinist for Astor Piazzolla. Among his many accomplishments, he is the solo violinist on several Grammy Award-winning albums, such as the “Cigala Tango”, recorded with Diego El Cigala in 2011 and in 2018 he recorded “Bien Milonga” with the Orquesta Nicolas Ledesma. As the Director of the Camerata Argentina, a string orchestra performing Argentinean music, he has performed with the most important national artists; such as, Susana Rinaldi, Nestor Marconi, Amelita Baltar, Julián Plaza and many others.

Agri is also a highly in-demand soloist who has performed with many of the world’s most renowned orchestras and ensembles including performances with Royal Philharmonic Orchestra of Galicia (Spain), Latvian Symphony Orchestra, and, he is a member of the mythical “Sexteto Mayor”.

HORACIO ROMO
Horacio Romo is a world-renowned bandoneon player. As a soloist, he has played Astor Piazzolla’s Concerto for Bandoneon and Orchestra with orchestras throughout the world including the Los Angeles Philharmonic (receiving an Emmy Award as Best Latin Concert), the London Philharmonic Orchestra to name a few.

Having performed with the most important Tango orchestras in Argentina, Romo is equally at home collaborating and performing with such diverse artists as Julio Iglesias, Lalo Schifrin and renowned tango singers, including Roberto Goyeneche, Alberto Castillo and Rubén Juárez. Romo has appeared on over 100 albums and participated in the documentaries “Café de los Maestros” and “Si sos brujo”. In addition, he is the music director and first bandoneon of Sexteto Mayor, the legendary orchestra with more than 45 years of trajectory and leads his own group, the Horacio Romo Sexteto.

EMILIANO MESSIEZ
Born in Buenos Aires, Argentina and based in New York City, pianist and composer Emiliano Messiez is one of the most in-demand tango pianists in the US. With a versatile and unique style, he is equally adept in classical music, jazz, tango, rock and Latin American Rhythms. He has performed worldwide including Lincoln Center and, he was the pianist for “Forever Tango” on Broadway, the West End in London and Puerto Rico.

A prolific composer, Messiez is often commissioned to write, arrange and orchestrate music. Recently, he wrote the music for “The Guava Tree” and “Casa Alfonsa” (both commissioned by Creede Repertory Theatre) and “Bordello,” a musical in development, written by Barbara Bellman. He is the founder and music director of his own orchestra Típica Messiez and several other groups including New York based group the Underground Tango Ensemble. This group recently released the album “El Charrúa”, a tribute to Messiez’s close and personal friend, legendary composer and master bandoneonist Raúl Jaurena.