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Duo Seraphim

Margot Kalse studied Dutch, and specialized in Renaissance Literature at Leiden University. She then studied solo singing at the Royal Conservatoire of The Hague; and she specialized in the performance practices and techniques of early vocal music at the Fontys Conservatory Tilburg, the Netherlands, where she received the diploma for Performing Musician in 1998. She followed Master classes with Diane Forlano, Max van Egmond and Emma Kirkby, among others. She taught for seven years at the Early Vocal Music programme of the Fontys Conservatory Tilburg.

Elly van Munster first studied classical guitar with Stanley Noordpool at the Fontys Conservatory Tilburg. Then she received a Master’s degree in Spanish at the Utrecht
University. Finally she returned to music and in 1994 she took the state lute exam. She regularly appears as a soloist and as accompanist for singers and instrumentalists and as continuo player in ensembles. She played in a many baroque operas in the Netherlands and in France, always with conductor Frédérique Chauvet (Barokopera Amsterdam).
Together with mezzo-soprano Margot Kalse she forms “Duo Seraphim”, with recorder player Alice Gort-Switynk the ensemble “Rossignol” and with soprano Hilde Van Ruymbeke “Duo Rosemont”. She is a member of the ensemble “Fortuna” which specializes in 14th Medieval repertoire. In this ensemble she plays the plectrum lute. In June 2002, together with soprano Sinje Kiel she won the First Prize and the Public Award at the Competition for Early Music ensembles in Berlin, “Alte Musik-Treff Berlin”.

Grand Désir

Grand Désir’s artistic directors Anita Orme Della-Marta (Recorder, Harp) and Anne-Marieke Evers (Mezzo-Soprano) met at the beginning of their musical studies at the Conservatorium of Amsterdam in September 1997, where they specialised both in contemporary music as well as medieval and renaissance music. Later in their careers, their paths led them to pursue further studies in medieval music at the Schola Cantorum Basiliensis, Switzerland, where they met the other ensemble members of Grand Désir. Grand Désir performed their première in the ‘Fringe’ programme of the Utrecht Early Music Festival 2005. The ensemble has given numerous performances and radio recordings since in the Netherlands, Belgium, Switzerland and Australia. In July 2009, Grand Désir won the audience award during the York Early Music Festival Young Artist’s Competition 2009. Grand Désir likes to work with different musicians for each individual programme, thus creating the flexibility to obtain the perfect instrumentation for each project. The large repertoire of Grand Désir, as well as their interest to combine contemporary and medieval music, makes Grand Désir a unique ensemble both for early as well as contemporary music.

Barocco Locco

The international ensemble Barocco Locco was founded in 1985 by Fritz Heller to perform music of the 16th and 17th centuries with the instruments and performance practice of the period. Each programme is preceded by extensive research, and the musicians play as far as possible from the original notation or their own arrangement of the original. The nucleus of Barocco Locco consists of Fritz Heller (comett), Saskia van der Wel (soprano and violoncello), Arwen Bouw (violin), Cas Gevers (trombone) and Vincent van Laar (organ and harpsichord). The ensemble can also be increased to perform large‑scale works. In its smaller form Barocco Locco aims to draw attention to little‑known repertoire in addition to more standard works. Programmes have included German music (Schein, Selle, Schütz and Vierdanck), Italian works (Frescobaldi, Cima, Monteverdi and Castello), programmes focusing on Netherlanders (Verrijt, Hollanders and Padbrué) and productions inspired by local music history (Aachen, Liege, Maastricht, Düsseldorf, Jülich, Rostock and Haarlem).

Examples of large‑scale projects:
Heinrich Schütz: Christmas historia
Claudio Monteverdi: Marian Vespers
Marian Vespers with unpublished works from the church of San Petronio in Bologna
‘Wege zu Bach’, the Protestant Mass in the 17th century
‘Muziek en Ruimte’, two‑, three‑ and four‑choir music from Germany and Italy
Claudio Monteverdi: Selva Morale et Spirituale
Heinrich Schütz: Psalmen Davids

La Barca Leyden

La Barca Leyden entlehnt ihren Namen von zwei Liedern “La Barca” (“die Schute”) und “Fortuna guida” von 1611 des Komponisten, Stadtmusikers und Organisten der Pieterskerk und der Hooglandse Kerk Cornelis Schuyt (1557-1616) aus Leiden. Zusammen bilden die Lieder einen Segenswunsch und außerdem eine Anspielung auf seinen eigenen Namen: “Möge Fortuna die Schute steuern!” Dies neue Barockensemble wurde 2007 von dem Flötisten Raymond Honing gegründet und besteht aus bedeutenden Musikern, die sich auf historische Aufführungspraxis spezialisiert haben und sind in Leiden zuhause. La Barca Leyden möchte sich in die reiche Musikgeschichte der Stadt einreihen und sie neu beleben. La Barca Leyden fängt an, wo Cornelis Schuyt eindet: bei der frühbarocken Musik und tritt sowohl in kleiner, als auch großer Besetzung auf.

Stephanie Proot

The Belgian pianist Stephanie Proot (°1987) studied at the ‘Royal Music Conservatory of Antwerp’ with Levente Kende. In addition, she pursued the ‘Diplôme Supérieur de Concertiste’ at the ‘Ecole Normale Alfred Cortot’ in Paris with Ramzi Yassa and took further classes at the ‘Queen Elisabeth Music Chapel’ in Waterloo (Belgium) with Abdel Rahman El Bacha. She completed her education with master classes by renowned teachers Jan Wijn, Alfred Brendel, Leon Fleischer and Dmitri Bashkirov. She has performed as a soloist at many prestigious venues both in Belgium and abroad, together with the Brussels Philharmonic, L’Orchestre de Chambre de Wallonie, the National Orchestra of Belgium, the Porto International Orchestra and the Zagreb Radio Orchestra alongside such great musicians as Augustin Dumay, Alain Paris and Theodor Guschlbauer. Stephanie’s excellent competition results secure her place in the international concert scene. Her list of awards include the Benelux Yamaha Scholarship, the sixth prize in the ‘5th Shangai International Piano Competition’, the second prize in the ‘International Piano Competition of the City of Porto’ and the first prize in the ‘Rencontre Internationale de Piano’ in Le Mée-sur-Seine. In December 2011 she was awarded the ‘Favorite’s Prize’ in the ‘International Telekom Beethoven competition Bonn’ by the public.

Studium Chorale

Studium Chorale has been active as a professional chamber choir since 2005. It is directed by Hans Leenders or specialized guest conductors. The choir was founded in 1972 and has developed into one of the leading chamber choirs in the Netherlands. The singers are from the Netherlands, Flanders, and Germany. Its repertory spans five centuries of choral music, from polyphony to newly commissioned works.