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Jan Van der Roost

Jan Van der Roost was born in Duffel, Belgium, in 1956. He studied trombone, music history and musical education at the Lemmensinstituut in Leuven (Louvain) and continued his studies at the Royal Conservatoires of Ghent and Antwerp, where he qualified as a conductor and a composer. Today he teaches at the Lemmensinstituut in Leuven, and serves as guest professor at the Nagoya University of Arts and guest professor at Senzoku Gakuen in Kawasaki. In 2013 he was appointed principal guest conductor of the Philharmonic Winds OSAKAN (Japan). Besides being a prolific composer, he is very much in demand as an adjudicator, lecturer, clinician and guest conductor. His increasing musical activities have taken him to more than 45 different countries on four continents, and his compositions are performed and recorded all over the world. In early 2001 a CD containing four of his works for chamber orchestra was released by EMI Classics, and the Slovakian Radio Symphony Orchestra recorded three of his compositions, which were released in early 2003 by the German label BT-Sound.

In early 2004 Phaedra Records released an all-Van der Roost album containing solo concertos for trumpet, guitar and horn. 2011 saw the release of three works by Van der Roost: Concerto Doppio (featuring Eddy Vanoosthuyes and Neshu Neshev on clarinet) by the Sofia Soloists on Aliud Records; the Polish Radio Choir recorded his Contemplations for Choir and Organ for Phaedra Records; and his four-part Chemical Suite for Trombone Quartet was released by the American label Navona Records (Parma Records) on the compilation CD Sculpting the Air.

On that same label a CD containing three of his orchestral works was released in 2013, performed by the St Petersburg State Symphony Orchestra, Vladimir Lande conducting. Van der Roost’s list of works represents a wide variety of genres and styles, including two oratorios, a symphony and some smaller works for symphony orchestra, a Guitar Concerto (dedicated to Joaquín Rodrigo whom he met in person in Madrid in 1993), a Concerto for Trumpet and String Orchestra (dedicated to and commissioned by the Norwegian virtuoso Ole Edvard Antonsen), a Double Concerto for Two Clarinets and String Orchestra (dedicated to Walter and Anne Boeykens), a cycle of Lieder for baritone and chamber orchestra, a Concerto for Clarinet and Symphony Orchestra, Images for Alto Saxophone and Chamber Orchestra, a Singspiel, Once Upon A Time … for narrator, actors, children’s choir and wind orchestra, works for strings or chamber orchestra, chamber music, numerous brass and wind orchestra compositions (including a three movement symphony for large wind orchestra), choral music, and a variety of instrumental solos.

Many of these compositions have been broadcast on radio and television in various countries, and most of them have been recorded on albums by renowned performers. Jan Van der Roost has composed works commissioned by performers from Belgium, The Netherlands, Switzerland, Italy, the United States, Japan, Spain, France, Singapore, Austria, Canada, Norway, Germany, Finland, Luxembourg, Hungary, Colombia, Croatia and the United Kingdom.

Michael Eversden

Michael Eversden was born in England and grew up in the rich musical scene of the London Borough of Redbridge. He was a member of the Redbridge and Essex Youth Orchestras and from 1975 to 1978 the National Youth Jazz Orchestra (NYJO) appearing throughout the UK. Michael studied bass trombone at the Royal College of Music under Gerry McElhone, bass trombonist with the Royal Opera, Covent Garden.

In 1980 he was appointed as principal bass trombonist with the North Netherlands Symphony Orchestra (NNO) and has since worked as a freelancer with nearly all the major Dutch and British orchestras. He is a founder member of the Dutch Brass and The Trombonauts (educational concerts for junior school children), teaches at the Groningen College of Music and also composes and arranges music for the bass trombone and other brass.

Dutch Swing College Band

The Dutch Swing College Band “DSCB” is a traditional dixieland band founded on 5 May 1945 by bandleader and clarinettist/saxophonist Peter Schilperoort. Highly successful in their native home of The Netherlands, the band quickly found an international following. It has featured such musicians as Huub Janssen (drums), Henk Bosch van Drakestein (double bass), Kees van Dorser (trumpet), Dim Kesber (saxes), Jan Morks (clarinet), Wout Steenhuis (guitar), Arie Ligthart (banjo/guitar), Jaap van Kempen (banjo/guitar), Oscar Klein (trumpet), Dick Kaart (trombone), Ray Kaart (trumpet), Bert de Kort (cornet), Bert Boeren (trombone), Rod Mason, Rob Agerbeek (piano) – among many others.

The band provided the interval act for the Eurovision Song Contest 1976 presented live from Den Haag.

The band continues to tour extensively, mainly in Europe and Scandinavia, and record directed by Bob Kaper, himself a member since 1967, following the former leader, Peter Schilperoort’s death on 17 November 1990. Schilperoort had led the band for more than 45 years, albeit with a five-year sabbatical from 13 September 1955, when he left to pursue an engineering career before returning to lead the band again officially on 1 January 1960.

Marine Band – Royal Netherlands Navy

The Marine Band of the Royal Netherlands Navy (Marinierskapel der Koninklijke Marine) was founded in 1945 and is based on the Marine Corps barracks in Rotterdam. This ensemble is made up of 53 professional musicians and is in fact the musical visiting card of the Royal Netherlands Navy. With her characteristic ‘Sound & Drive’ the band has won the hearts of a large public and has substantially contributed to the development and appreciation of military music in the Netherlands. The band’s principal responsibility is the musical accompaniment of military ceremonial events for the Royal Family, Government and the Royal Netherlands Navy.

On these occasions the Marine Band often perform together with the Drums & Fifes of the Marine Corps (Tamboers en Pijpers van het Korps Mariniers). But there’s much more than just marching music on the repertoire; this symphonic wind band is extremely versatile and its musical styles range from classical, popular, Dixieland and bigband to chamber music, including a string ensemble. The band travels thousands of miles each year, performing both at home and abroad, living up to the Dutch Marines’ motto Qua Patet Orbis: As far as the world extends. Not just to most European countries, but also to the United States, Russia, the Caribbean and Japan for example. Among these international performances are the accompaniments of international performing artists and cooperation with other orchestras as The United States Marine Band “The Presidents Own”, The Bands of Her Majesty’s Royal Marines and The Rimsky-Korsakov Central Navy Band of Russia.

Sven Van De Voorde – TetraGonist

Clarinettist Sven Van De Voorde (1988) started his musical career in Waregem at the ‘Stedelijke Academie voor Muziek’ with Annick Engelaere. He commenced higher education at the Ghent Conservatory with Eddy Vanoosthuyse. He is currently pursuing a Master’s degree at Hilsinki’s Sibelius Academy with Olli Leppänniemi, Harri Mäki and Kari Kriiku. Apart from being a clarinettist, Sven is also an accomplished accordionist. He studied accordion in Waregem with Frederik Caelen, and afterwards in the Ghent Conservatory with Philippe Thuriot and Tuur Florizoone. Sven won 2nd prize in the ‘Citta di Carlino International Clarinet Competition’ in 2011 and was finalist to the ‘International Mercadante Competition’ and the ‘Internation Clarinet Competition’ in Capri. He was selected from over 200 candidates to participate in the ‘International Nielsen Competition 2013’ and in the ‘International Debussy Competition 2014’ in Paris. Nationally, he was awarded the first prize in Belfius Classics, not only for clarinet, but for accordion and chamber music as well.

Tetragonist is a young ensemble whose members are pianist Mathias Coppens, violinist Jens Lynen, cellist Lieselot Watté and clarinettist Sven Van De Voorde. The Tetragonist functions as a new, observing character next to the classical protagonist, antagonist and tritagonist. These roles are alternatingly interpreted by Mathias, Lieselot, Jens and Sven. In their opinion, all the aspects present in this quadruple relationship are the deepest source for all musical forms aiming to tell a story. They thus distinguish themselves from the average quartet by positioning hardly unknown repertoire alongside the standardised canon and by often engaging in a cooperation with another
artistic organ which alternates with the quartet.

Haags Toonkunstkoor

The Hague Toonkunstkoor – since 1829

The Hague Toonkunstkoor exist 184 years. The choir was founded with the Toonkunst Choirs of Amsterdam, Rotterdam, Utrecht, Arnhem and Dordrecht in 1829 “under the watchful eye” of King William I. The king wished to encourage the practice of the arts, sciences and commerce with all appropriate means to the population and the singing was one of them. As the founder departments founded the Society for the Promotion of Music.

Our choir gives at least two concerts each year, and is always looking for the widest possible: in addition to standard works of Bach, Mozart and Beethoven also work regularly performed by contemporary composers such as Gorecki, British and Van Baaren. However, the focus is more serious compositions as oratorios, masses and requiems. But a work like the Carmina Burana by Orff has also been on the repertoire.